PALESTINIAN MUSLIMS PRESENTATION IN PHOTOGRAPHY: A SEMIOTIC STUDY OF WAR PHOTOGRAPHS

Authors

  • Waqasia Naeem Minhaj University Lahore
  • Rabia Batool University of Central Punjab
  • Muhammad Tayyab University of Central Punjab.

DOI:

https://doi.org/10.52567/pjsr.v4i1.665

Abstract

War photography presents the hidden meaning and the living experiences which are not shown in routine media streams. The study presents the living experiences presented through pictures. Rose ‘s model (2001) of semiotics analysis is used to describe the living experiences of the Palestinian people. The study illustrated the different viewpoints as personal perspective, historical perspective, cultural perspective, technical perspective and critical perspective intended to be encompassed in the picture. The study revealed the distress feelings of the war zone people which present that they are far away from the standard life.

Keywords: Palestinian Muslims, War Photographs, Semiotics Analysis

Author Biographies

  • Waqasia Naeem, Minhaj University Lahore

    Assistant Professor

     

  • Rabia Batool, University of Central Punjab

    Lecturer

  • Muhammad Tayyab, University of Central Punjab.

    Lecturer

Additional Files

Published

2022-03-31

Issue

Vol. 4 No. 1 (2022): Pakistan Journal of Social Research (PJSR)

Section

Research Article

License

Copyright (c) 2022 Waqasia Naeem, Rabia Batool, Muhammad Tayyab

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

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How to Cite

[1]
“PALESTINIAN MUSLIMS PRESENTATION IN PHOTOGRAPHY: A SEMIOTIC STUDY OF WAR PHOTOGRAPHS”, Pak. J, Soc. Sci., vol. 4, no. 1, pp. 413–421, Mar. 2022, doi: 10.52567/pjsr.v4i1.665.